{"id":1277,"date":"2017-09-21T11:39:17","date_gmt":"2017-09-21T17:39:17","guid":{"rendered":"https:\/\/faf.588.myftpupload.com\/?page_id=1277"},"modified":"2025-11-29T13:23:48","modified_gmt":"2025-11-29T19:23:48","slug":"thats-you","status":"publish","type":"page","link":"https:\/\/elizamyrie.com\/?page_id=1277","title":{"rendered":"That’s you!"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Williams College, BA, 2003
\nNorthwestern University, MFA, 2010
\nSkowhegan School of Painting and Sculpture, 2010
\nWhitney Independent Study Program, 2020<\/p>\n

GRANTS + FELLOWSHIPS + HONORS
\n<\/span><\/strong><\/span>2024\u00a0 <\/strong>Illinois Arts Council, Artist Fellowship Recipient, New Art Forms
\n<\/strong><\/span>2022\u00a0 \u00a0<\/strong>Anonymous Was A Woman\u00a0NomineeAnonymous Was A Woman<\/span><\/span>\u00a0Nominee
\n2020\u00a0 \u00a0<\/strong>Artadia Chicago<\/span><\/span>\u00a0Awardee
\n2020\u00a0 \u00a0<\/span><\/strong><\/span>CAC Spark Grant Awardee
\n2018\u00a0 \u00a0<\/span><\/strong><\/span>Propeller Fund Awardee
\n2018\u00a0 \u00a0<\/strong>Bemis Center Artist-in-Residence<\/span><\/span>
\n2018\u00a0 \u00a0<\/span><\/strong><\/span>Yaddo Resident
\n2018\u00a0 \u00a0<\/span><\/strong><\/span>Ox-Bow, School of Art and Artists’ Residency, Resident
\n2017<\/strong>\u00a0 \u00a0<\/span>Santa Fe Art Institute, Equal Justice Resident
\n2016<\/strong> \u00a0 3Arts Projects,\u00a0Building a Wall Through My Father
\n<\/em>2015<\/strong> \u00a0 MacDowell Fellow
\n2015<\/strong> \u00a0 Creative Capital, On Our Radar
\n2012<\/strong>\u00a0 \u00a0University of Chicago, Arts + Public Life\/CSRPC, Artist-in-Residence
\n
\nPROFESSIONAL
\n<\/strong><\/span>2018-<\/strong> Wikipedia Director, Black Lunch Table, Chicago, IL
\n2015- <\/strong>Lecturer, School of The Art Institute Chicago, Chicago, IL
\n2017<\/strong>\u00a0Presenter, The Weather Underground: A Night of Radical Imagination, Santa Fe, NM
\n2014 \u00a0<\/strong>Panelist, Sculpture X<\/em>, CCAD, Columbus, OH
\n2014 \u00a0<\/strong>Presenter, Carrie Mae Weems LIVE, <\/em>The Guggenheim, New York, NY
\n2014<\/strong> \u00a0Visiting Artist, University of Chicago, Chicago, IL
\n<\/span><\/p>\n

SELECTED EXHIBITIONS + PROJECTS + SCREENINGS
\n<\/strong><\/span><\/b><\/p>\n

2023\u00a0 <\/b>In Hand: Contemporary Material Engagements with the Built World,<\/em>\u00a0<\/i>Kennedy Museum of Art, Athens, OH\u00a0
\n<\/b>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 BOMB Magazine, Oral History Project, Publication, Spring 2023<\/span><\/p>\n

2022<\/strong>\u00a0\u00a0<\/span>All The Light, <\/i>Logan Center, Chicago, IL
\nEXPO Chicago, Chicago, IL<\/i><\/b><\/p>\n

2021<\/strong>\u00a0 Speculative Magenta Hauntology, <\/i>RUSCHWOMAN, Chicago, IL<\/span><\/p>\n

2020\u00a0 <\/span><\/b>Four Flags, <\/i>Chicago Manual of Style, P.S., Chicago, IL, <\/i>
\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Conjuncture, <\/i>Elizabeth Foundation for the Arts, New York, NY, <\/i>
\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Wikipedia @ 20<\/i>, contributor, The MIT Press, Cambridge, MA [forthcoming]
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 This is Not a Gun<\/i>, contributor, Sming Sming Books, California<\/p>\n

2019<\/strong> \u00a0garden\/ruinate,<\/em> The Arts Club of Chicago, Chicago, IL<\/span><\/p>\n

2018<\/strong>\u00a0The Art of Being Dangerous,<\/em> Hyde Park Art Center, Chicago, IL
\n<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0This is Not a Gun, <\/em>Montez Press, Interjection Calendar, digital edition
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span>Black Blooded,<\/em>\u00a0The New Gallery of Modern Art, Charlotte, NC
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Call Me Now!\u00a0<\/em><\/span><\/p>\n

2017<\/strong> Thinging Bodies<\/em>, <\/i>screening, <\/i>Gallery 400, <\/i>Chicago, IL<\/span><\/p>\n

2016<\/strong>\u00a0 <\/span><\/b>Black Artists Retreat, [B.A.R.], Chicago, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/i>Building a Wall Through My Father (dress rehearsal),<\/em> <\/i>Vox Populi Gallery, Philadelphia, PA
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/i>Chicago and Vicinity,<\/em> <\/i>Shane Campbell Gallery, Chicago, IL<\/span><\/p>\n

2015<\/strong>\u00a0 <\/span><\/b>Black Artists Retreat, [B.A.R.], Chicago, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/i>Make Their Gold Teeth Ache,<\/em> <\/i>Moberg Gallery, Des Moines, IA
\n<\/span><\/p>\n

2014<\/strong>\u00a0 <\/span><\/b>Black Artists Retreat, [B.A.R.], Chicago, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/i>How to Make A Hood,<\/em> <\/i>Arts Incubator, Chicago, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/i>go\/figure,<\/em> <\/i>Roots & Culture Contemporary Art Center, Chicago, IL
\n<\/span><\/p>\n

2013<\/strong>\u00a0 <\/span>Black Artists Retreat, [B.A.R.], Chicago, IL<\/span><\/p>\n

2012\u00a0 <\/span><\/strong>The Wassaic Project, Summer Festival 2012, Wassaic, NY
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Skyscraper: Art and Architecture Against Gravity,<\/em> Museum of Contemporary Art, Chicago, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Local Metric: Majeed,<\/em> Mooses, Myrie,<\/em> Logan Center, University of Chicago, Chicago, IL<\/span><\/p>\n

2011<\/strong> \u00a0<\/span>Museum as Hub: Alpha\u2019s Bet Is Not Over Yet!<\/em>, <\/i>New Museum, New York, NY
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Futuro Perfecto,<\/em> Zora Space, Brooklyn, NY
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em> ohh manute,<\/em> Applied Arts, Chicago, IL<\/span><\/p>\n

2010\u00a0 <\/span><\/strong>SK10<\/em> Tompkins Projects, Brooklyn, NY
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Uncrumpling This Much Crumpled Thing,<\/em> The Exhibition Agency, Chicago, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Ground Floor,<\/em> Hyde Park Arts Center, Chicago, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 American Demonic,<\/em> Davidson Contemporary, New York, NY
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 MFA Thesis Exhibition,<\/em> Block Museum, Evanston, IL
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Drawing Blood,<\/em> WORK Gallery, Brooklyn, NY<\/span><\/p>\n

2009<\/strong>\u00a0 <\/span>The Last Supper Festival<\/em>, 3<\/span>rd<\/sup><\/span> Ward, Brooklyn, NY
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0I Heart Art,<\/em> WORK Gallery, Brooklyn, NY<\/span><\/p>\n

2007<\/strong> Wish You Were Here 6,<\/em> A.I.R. Gallery, New York, NY
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 New ’07,<\/em> CUE Art Foundation, New York, NY<\/span><\/p>\n

2006<\/strong>\u00a0<\/span><\/b>Voice: Work by Women in Contemporary Art,<\/em> Providence Art Club, Providence, RI
\n\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 A Recent History of Personal Myth,<\/em> Williams Club, New York, NY<\/span><\/p>\n

PRESS + PUBLICATIONS
\n<\/strong><\/span><\/p>\n

Lee, Tori. (2022, August 24) \u2018All That Light\u2019 exhibition highlights decade of UChicago resident artists. Retrieved August 27, 2022, from https:\/\/news.uchicago.edu\/story\/all-light-exhibition-highlights-decade-uchicago-resident-artists<\/span><\/a><\/span><\/p>\n

Loughman, Monica. (2022, May 16). Eliza Myrie: More Than You See. Retrieved May 31, 2022, from https:\/\/www.artistsinrise.com\/post\/eliza-myrie-more-than-what-you-see<\/a><\/span><\/p>\n

Lepique, Annette. (2021, November 15). The Divine Feminine: A Review of Ruschwoman\u2019s Inaugural Exhibition. Retrieved December 12, 2021 from https:\/\/art.newcity.com\/2021\/11\/15\/the-divine-feminine-a-review-of-ruschwomans-inaugural-exhibition\/<\/a><\/span><\/p>\n

Cardoza, Kerry. (2020, September 03). Art 50 2020: Chicago\u2019s Artists\u2019 Artists. Retrieved May 17, 2021, from https:\/\/art.newcity.com\/2020\/09\/03\/art-50-2020-chicagos-artists-artists\/<\/span><\/a><\/span><\/p>\n

Desk, B. (2020, July 09). 2020 Chicago Artadia Awardees Announced. Retrieved August 04, 2020, from https:\/\/www.broadwayworld.com\/chicago\/article\/2020-Chicago-Artadia-Awardees-Announced-20200709 <\/span><\/p>\n

Rockett, D. (2020, July 8). Uptown, Garfield Park artists Eliza Myrie and Caroline Kent win $10K from national arts nonprofit Artadia. Chicago Tribune<\/i>. Retrieved August 4, 2020, from https:\/\/www.chicagotribune.com\/entertainment\/ct-ent-artadia-chicago-winners-0708-20200708-sjllylsbxjcmngcgojngeijrii-story.html <\/a><\/span><\/p>\n

Myrie, E.\u00a0 <\/span>(2019, October 1).\u00a0 <\/span>Labrish, and other words<\/i>(C. Simchak, Interviewer) Newfound, 10(2). Retrieved from https:\/\/newfound.org\/current-issue\/visual-arts-eliza-myrie\/<\/span><\/a><\/span><\/p>\n

Hunn, Sarrita, and James McAnally, editors. To Make a Public: Temporary Art Review 2011-2016.<\/span><\/a> <\/em>Seattle, WA, INCA Press, 2016.<\/span><\/p>\n

Reichert, Elliot. Art 50 2016. September 15th, 2016.<\/span> http:\/\/art.newcity.com\/2016\/09\/15\/art-50-2016\/5\/<\/span><\/a><\/p>\n

Schwartz, Chip. Eliza Myrie and the means of (artistic) production at Vox Populi. March 9th, 2016. http:\/\/www.knightfoundation.org\/blogs\/knightblog\/2016\/3\/9\/eliza-myrie-artistic-production-vox-populi\/<\/span><\/a><\/span><\/p>\n

Morris, Matt. Daniel Giles and Eliza Myrie\/Roots & Culture. September 29th, 2014. http:\/\/art.newcity.com\/2014\/09\/29\/review-daniel-giles-and-eliza-myrieroots-culture\/<\/span><\/a><\/span><\/p>\n

Darby, Angela. \u201cHumanizing A Modernist Icon.\u201d Aesthetica Magazine<\/i>. June 2012. Print.<\/span><\/p>\n

Darling, Michael ed. <\/span>Skyscraper: Art and Architecture Against Gravity, <\/i>exhibition catalogue, June 30th- September 23rd 2012, Museum of Contemporary Art, Chicago, IL<\/span><\/p>\n

Ise, Claudine. ‘Skyscraper’ builds meaning behind architectural giants. August 22nd, 2012. http:\/\/www.chicagotribune.com\/entertainment\/music\/ct-ent-0823-skyscraper-art-review-20120822,0,6719067.story<\/span><\/a><\/span><\/p>\n

Jemison, Steffani ed., The Reader, <\/i>exhibition catalogue, October 12th – December 4th 2011, The New Museum, New York, NY<\/span><\/p>\n

Larson, Jordan. <\/span>The longitudes and latitudes of “Local Metrics”: an interview with artist Eliza Myrie. July 3rd, 2012. http:\/\/www.chicagoreader.com\/Bleader\/archives\/2012\/07\/03\/the-longitudes-and-latitudes-of-local-metrics-an-interview-with-artist-eliza-myrie\u00a0<\/a><\/span><\/p>\n

Wang, Emily. Site Insights. July 9th, 2012. http:\/\/mag.uchicago.edu\/arts-humanities\/site-insights<\/span><\/a><\/span><\/p>\n

Kinkley, Jonathan. Uncrumpling This Much Crumpled Thing. September 2010 http:\/\/chicago.timeout.com\/articles\/art-design\/88927\/uncrumpling-this-much-crumpled-thing-at-the-exhibition-agency-art-review<\/span><\/a><\/span><\/p>\n

Chang, Talisa. <\/span>The Last Supper: Food, Thought, Consumption<\/span>. October 1<\/span>st<\/sup><\/span>, 2009. http:\/\/www.greenpointnews.com\/entertainment\/the-last-supper-food-thought-consumption<\/span><\/a> <\/span><\/p>\n

Short, Aaron.\u00a0 <\/span><\/span>Last Supper A Good One<\/span>. September 29<\/span>th<\/sup><\/span>, 2009. http:\/\/www.nypost.com\/p\/news\/local\/brooklyn\/last_supper_good_one_WTk7x5LvNRccx2tblAfIbJ<\/a><\/span><\/p>\n

Liese, Jennifer. <\/span>Voice: Women in Contemporary Art.<\/span> May 2006. http:\/\/www.artforum.com<\/span><\/a><\/span><\/p>\n

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[vc_row][vc_column][vc_column_text]Williams College, BA, 2003 Northwestern University, MFA, 2010 Skowhegan School of Painting and Sculpture, 2010 Whitney Independent Study Program, 2020…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":27,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1277","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/elizamyrie.com\/index.php?rest_route=\/wp\/v2\/pages\/1277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elizamyrie.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/elizamyrie.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/elizamyrie.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/elizamyrie.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1277"}],"version-history":[{"count":0,"href":"https:\/\/elizamyrie.com\/index.php?rest_route=\/wp\/v2\/pages\/1277\/revisions"}],"wp:attachment":[{"href":"https:\/\/elizamyrie.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}